Erich Dieckmann Light-Type Club Chair in Open Form (circa 1926/1927)

This exceptional armchair by Erich Dieckmann—one of the most influential designers of the Bauhaus era—embodies the essence of early 20th-century modernism. A graduate of the Bauhochschule Weimar and head of its carpentry workshop, Dieckmann was celebrated for his ability to translate geometric clarity into functional elegance. This piece reflects his unwavering commitment to Bauhaus ideals: simplicity, purpose, and superb craftsmanship.

The chair's frame is crafted from rare bog oak—a material prized for its deep, rich tones and historical significance. Complemented by beech, alder, or pine elements, the wood has been meticulously stained and sealed with a transparent lacquer to preserve its natural grain and texture. The seat and backrest rest on traditional laced springs, with a frame composed of tow and horsehair, offering both comfort and longevity.

What truly sets this piece apart is its authenticity. The upholstery is original, preserving the chair’s historic integrity, while two rare stamps—one from the State Bauhochschule Weimar and the other bearing Dieckmann’s personal "ED" mark—confirm its provenance. These details elevate the chair from a striking design object to a museum-worthy artifact.

Upholding the Bauhaus tenet that "form follows function," this armchair achieves a perfect balance between aesthetics and utility. Its clean lines, measured proportions, and thoughtful materials ensure it feels as contemporary today as it did nearly a century ago. As a rare and documented example of Dieckmann’s work, this armchair is more than seating—it is a cornerstone of design history, encapsulating the visionary shift toward modernism.